Friday, November 30, 2007
Thursday, November 29, 2007
Wednesday, November 28, 2007
Ones to watch
I am in love with you Gauguin
as I look I feel the tender passage of your hands
I sit at your table
and no years separate our gazes
I look with an intimacy at your exposure
in paint left permanent
after the force that moved your brush has long left.
The emptiness unites,
my eye travels over orange, red, cold edges of blue,
It leaves me with a longing to know you
the heat of your gaze and edged callouses of your hands.
-By the Corbyhawk herself
Tuesday, November 27, 2007
What Painting Is -by James Elkins
Monday, November 26, 2007
the Earth-pelt
dapples and flows
with slow bees
that spin
the thick, deep jute
of gold time's going,
the pollen's
traceless retreat;
kingfishers
enter their kingdom,
their blue crowns on fire,
and feast on
the still-wealthy world.
A single, cold blossom
tumbles, fledged
from the sky's white branch
And the angels
look on,
observing what falls:
all of it falls.
Their hands hold
no blessings,
no word
for those who walk
in the tall black pines,
who do not
feel themselves falling-
the ones who believe
the loved companion
will hold them forever,
the ones who cross through
alone and ask for no sign.
-From November Angels by Jane Hirshfield
Sunday, November 25, 2007
Wildflower honey
I believe the birds and bees
Gathered round the hemlock trees
They brought their finest offerings
Flowers grown in early spring
To the boy destined to roam
They gave the sweetest honeycomb
And he’s wild flower honey
From the hills of Caroline
Every little kiss from his sugar sweet lips
Taste like wild cherry blossom wine
I close my eyes when he sings
And I can hear the mountains ring
The whippoorwill in his sad song
I smell honeysuckle growing strong
Like an evening summer thunderstorm
From the South sweet and warm
Cause he’s wild flower honey
From the hills of Caroline
Every little kiss from his sugar sweet lips
Taste like wild cherry blossom wine
Then the women swarm around him
Any time he comes to town
I hope and I pray that fate will find a way
To make it my turn next time around
He travels with his gypsy band
Stealing hearts throughout the land
The boys all like his rowdy songs
They tap their feet they sing along
While their women love him young and old
They’ll think of him when the nights get cold
Cause he’s wild flower honey
From the hills of Caroline
Every little kiss from his sugar sweet lips
Taste like wild cherry blossom wine
Then the women swarm around him
Any time he comes to town
I hope and I pray that fate will find a way
To make it my turn next time around
Yeah I hope and I pray, it’s my lucky day
And it will be my turn this time around.
(I went to their concert last night! You can take the girl out of Ithaca but you cannot take the music of Ithaca out of the girl)
Friday, November 23, 2007
Thursday, November 22, 2007
-The Trumpeter Swan is an even larger species than the preceding... but the voice of the well named trumpeter resounds with a power equalled (sic) only by the French horns blown by red-faced Germans at a Wagner opera. "
Birds that Hunt and Are Hunted by Neltje Blanchan published in 1904
Wednesday, November 21, 2007
the squandered light and flung-down rags of chances,
old choices drifted terribly awry.
And world, self-portrait never right, receive this gift-
shuffling, spattered, stubborn,
something nameless opens in the heart: to touch
with soft-bent sable, ground earth pigment, seed-clear oil,
the rounding, bright-fleshed present, if not the past.
-Jane Hirscfield
Tuesday, November 20, 2007
Monday, November 19, 2007
words words words
"and it leaves one nothing but the role of spectator in life watching life go by-having no part in it but that of spectator which of course is diverting but not satisfying to the soul of one who longs for a human place to be." Marsden Hartley
"You see the battle to be recognized as the same has been an endless one and I realized recently that indeed I am not the same. I am of it but always removed on a separate canvas. I watch and record and in that the reflection I am not an active participant." The Corby from writings about my painting (I wrote this a few hours before encountering Hartley's comments, a weird coincidence)
When I was in high school I would take a sick day when I could and spend the day reading Rilke, or Hugo, or Stendhal. I guess I was an odd teenager.
Sunday, November 18, 2007
Saturday, November 17, 2007
POEM HOLDING ITS HEART IN ONE FIST
Each pebble in this world keeps
its own counsel.
Certain words--these, for instance--
may be keeping a pronoun hidden.
Perhaps the lover's you
or the solipsist's I.
Perhaps the philosopher's willowy it.
The concealment plainly delights.
Even a desk will gather
its clutch of secret, half-crumpled papers,
eased slowly, over years,
behind the backs of drawers.
Olives adrift in the altering brine-bath
etch onto their innermost pits
a few furrowed salts that will never be found by the tongue.
Yet even with so much withheld,
so much unspoken,
potatoes are cooked with butter and parsley,
and buttons affixed to their sweater.
Invited guests arrive, then dutifully leave.
And this poem, afterward, washes its breasts
with soap and trembling hands, disguising nothing.
Jane Hirschfield
Friday, November 16, 2007
When we go to museums we do not just look, we make a definite response to to the work. As we look at it we are happier or more sad, more at peace or more depressed. A work may stimulate yearning, helplessness, belligerence or remorse. The cause of the response is not traceable in the work. An artist cannot and does not prepare for a certain response. He does not consider the response but simply follows his inspiration. Works of art not purposely conceived. The response depends upon the condition of the observer.
-Agnes Martin -Writings
Thursday, November 15, 2007
With this hand
with this brush
I paint you
the highlight of your cheek
the luminosity of your eye
the sensual bow of your lip
moist from a tongue touch
the open akimbo of your legs
inviting me in
the pull of your sweater violet shadows
the line of your arm
to your perfect hands
the color of crimson at the tips
with this brush
I could touch all of you
-The bad little Corby
Wednesday, November 14, 2007
They all will find their way
They all will go
And I am walking circles in a dark room alone
Hey hey hush now
Hey hey heart don’t break
I want to see your face fall
When you hear my name
Hey hey don’t wait
Hush now there’s your answer
You cannot fight your fate
They all will change
And I am painting circles
On a silence for my shame
Tuesday, November 13, 2007
Sunday, November 11, 2007
I am spotted today, literally all over. I am allergic to some medicine I was taking and now I look like a bizarre human dot to dot. It is really wonderful considering that I had drop in house guests and I do have to be in public tomorrow. Just call me spotty, or rather I should change my name to Dottie. Ah well at least I can still laugh at the silliness that is my life. Let's all hope that tomorrow it fades away and I am back to my normal less animal print self. Ahh... the Glamorous life I lead.
Saturday, November 10, 2007
Do you want to know how "romantic" art making is? Well guess what? Today it is not. I am trying to be zen, happy, enjoy myself and it is just not happening. I want to take this crappy piece of ass painting and throw it and all of its trickery out the god damn window. UGH. When I need to get things accomplished I dither and dither forever on a face that well looks like a pumpkin with drugged out eyes. Perhaps tomorrow I will remember I can paint, because today I am beginning to wonder. My effortless passages are only achieved after hours of steady revisions, looking for that one bit of perfect color. Some people can just do that I am sure and I am wondering why I work so damn hard anyway. Perhaps I should think about abstractions and not pumpkin heads. Perhaps I should quit for the night but I generally have a policy to not stop until I have a good resolution. Perhaps slightly upturned noses are generally problematic and should not be allowed. Perhaps I should shut up and continue painting.
Tah tah my lovelies.
Thursday, November 08, 2007
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
From Pablo Neruda' s Sonnet XVII, Between the Shadow and the Soul
Wednesday, November 07, 2007
Tuesday, November 06, 2007
Sunday, November 04, 2007
-Laurel Thatcher Ulrich
Have I mentioned in the last 5 seconds how much I love painting. Nothing this week can even compare to the quiet thrill I am getting as I work today. I tell you though bloggers, that I am so glad this week is over and a new one begins. Perhaps we can all start over anew. Death cannot help but change you, no matter how unwilling you are to let it claw its way in. So here I sit painting and trying to make sense of what cannot be understood. I have lost faith in my dreams, they are only painted wishes a heart makes with no prophecy in them. Little lies, but sweet lies indeed, so beautifully marked on the canvas.
Saturday, November 03, 2007
A man and his wife had the good fortune to possess a goose which laid a golden egg every day. Lucky though they were, they soon began to think they were not getting rich fast enough, and, imagining the bird must be made of gold inside, they decided to kill it in order to secure the whole store of precious metal at once. But when they cut it open they found it was just like any other goose. Thus, they neither got rich all at once, as they had hoped, nor enjoyed any longer the daily addition to their wealth.
Much wants more and loses all.
The Goose That Laid the Golden Eggs- by Aesop
Friday, November 02, 2007
But the night goes up in flames
The courage we need
A fury to tame
This madness, madness, madness
No more,
will I count the dead
Bending gathering words
I should have said
When the night falls
It scrapes its knees
We watch the houses on fire
And she says to me
I want to be brave, I want to be brave
But I don’t think I’ll love again
The dark is so deep
I’ve lost my way
Sarah Slean -Madeline
Thursday, November 01, 2007
- ASSING stranger! you do not know how longingly I look upon you,
- You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
- I have somewhere surely lived a life of joy with you,
- All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
- You grew up with me, were a boy with me or a girl with me,
- I ate with you and slept with you, your body has become not yours only nor left my body mine only,
- You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
- I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
- I am to wait, I do not doubt I am to meet you again,
- I am to see to it that I do not lose you.